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SELECTED ACADEMIC CITATIONS

2022       Tomasula, S. (Ed.) Conceptualisms: The Anthology of Prose, Poetry, Visual, Found, E- & Hybrid Writing as Contemporary Art, University of Alabama Press, USA.

2019       Mazzuchelli Garcia, A., Literatura Barbara: Amateur Photographer, Book Writing, Sound and Image: Contemporary Perspectives. Federal University of Minas Gerais, Brazil.

2019       Guignery, V., Drąg, W., The Poetics of Fragmentation in Contemporary British and American Fiction, Vernon Press, Spain, USA.

​2018        Qian, L. A Study on the Interpretation of the Characters in Graham Rawle’s        Woman’s World: A Multimodal Cognitive Stylistic Perspective, Journal of Beijing International Studies University Vol 39, Issue 6
 
2018        Hallet, W. Multimodal Storytelling in Contemporary Fiction: Graham Rawle’s Diary of an Amateur Photographer and Mark Haddon’s Curious Incident of the Dog in the Night-time (Chapter) The British Novel in the Twenty-First Century, WVT Wissenschaftlicher Verlag Trier

2016        Keskinen, M. Facsimile: The Makings of the Similar in Graham Rawle’s Collage Novel Woman’s World. Image [&] Narrative Vol 17, No 1 pp 86-100

2010        Gibbons, A., Multimodality, Cognition, and Experimental Literature,  Routledge. Oxon, UK. Chapter 7. Cut, Paste, Repair, but Read: Woman’s World by Graham Rawle” pp167-231               

2015         Vivera, T.M., Cut-Up Voices in Graham Rawle’s Woman’s World, IUP Journal of English Studies, Vol 10, Iss 2, Hyderabad, India.

2012         Bray, Gibbons, McHale, (eds.) The Routledge Companion to Experimental  Literature, Chapter - Multimodal Literature and Experimentation. Routledge. Oxon, UK  
                          
2013          Maziarczyk, G., The Novel as Book: Textual Materiality in Contemporary          Fiction  Studies in Literature and Culture vol 7. Wydawnictwo KUL, Lublin, Poland.      Chapter: “The Narrator As Type (face): Graham Rawle’s Woman’s World” pp 74-83

2011          Brillenburg Wurth, K., Posthumanities and Post-textualities: Reading The    Raw Shark Texts and Woman’s World, Comparative   Literature, Duke University Press, Oregon, USA  

2011          Robinson E.S., Shift Linguals: Cut-up Narratives from William S. Burroughs to  the Present (Postmodern Studies) Editions Rodopi B.V., Amsterdam NL. Chapter 5, “Further Mutations: The Cut-Ups in the New Millennium”, pp. 255-7.                              
2018          Epistolary Forms as Semiotic and Generic Modes in the Multimodal Novel / The Epistolary Renaissance: A Critical Approach to Contemporary Letter Narratives in Anglophone Fiction, Eds Löschnigg, M., Schuh, R, Anglia Book Series.
 
2006           Beaulieu, D., A New Approach To Poetics: Three New Works Challenge Our Perception Of Literature, FFWD Fast Forward Weekly Calgary, Alberta, Canada 
 
2006           Sadokierski, Z.A., Word & Image in Contemporary Fiction, Heat (Australia) Giramondo/ University of Western Sydney, vol.15, no 1 pp 201-221
 
2006           Triggs, T., Gerber, A., Acrobat Reader: Typographic Experimentation in Literary Fiction, Print magazine. July/Aug 2006

2012           Childs, P., Contemporary Novelists: British Fiction since 1970. Palgrave        Macmillan; 2nd edition 
 
2016            Barton, S., Visual Devices In Contemporary Prose Fiction: Gaps, Gestures, Images. Palgrave Macmillan.